Color finale pro
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So you might have a bunch of LUTs stored somewhere on your computer and you want to use them in your Final Cut project. It offers a comprehensive set of tools for LUT management, manipulation and creation, and in this tutorial we’ll show how to use these features.Īpply Color Finale 2 Pro to a clip on the Final Cut Pro timeline and let's dive in. For example, they can convert footage from one color space to another such as Sony S-Log3 into Rec.709, or recreate the look of a certain film print.Ĭolor Finale 2 Pro is a color grading plugin for Final Cut Pro (macOS). Try for yourself with a free 7 day trial of Color Finale 2 Pro, and consider subscribing to our YouTube channel for video versions of these tutorials.Look up tables (LUTs) are used in video post-production to modify color of video for technical or aesthetic purposes. The Log Wheels tool in Color Finale 2 Pro allows you to achieve greater quality of image by working directly on the log footage in the Final Cut Pro timeline, before it's converted into a video color space. Notice how the image highlights remain under control, avoiding overexposure and preserving detail. Now, let's use Log Wheels and the offset wheel. First, let's use Telecine Color Wheels and attempt to adjust the highlights to improve color balance.Īs you can see in the above image, the highlights become easily blown out.
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We'll start with some log footage and apply a film emulation LUT to it. So let's set up a scenario that led to the invention of Log Wheels. Adjustments to parameters like knee and shoulder are vital for defining actual tonal ranges, especially in the shadows and highlights. Lastly, the mathematical formula for log encoding varies from camera to camera. But remember to always put the Log Wheels layer at the bottom - this way it can correctly work with the log footage, before the footage is converted into something like Rec.709. It’s actually a good idea to add this LUT or S-curve correction first and then finesse the image with the Log Wheels. So after using Log Wheels, the log image still needs further 'development' or tone mapping through other techniques, such as applying film emulation LUTs or S-curve corrections. However, the outcome might not always resemble the finished image yet. Log Wheels are most effective when applied directly to log material. Working with Log Wheels requires an understanding of the basic concepts and an adherence to a specific methodology to achieve excellent results. There's also a fourth wheel called the 'offset', which is equivalent to the density or printer light control in the realm of film grading.Ĭonsider the offset as an exposure control for log-encoded data, capable of making the image brighter or darker and aiding in adjusting color balance. The Log Wheels tool in Color Finale 2 Pro offer three controls for shadows, midtones, and highlights, and two controls to define tonal ranges for shadows and highlights. Having log wheels in a colorist's toolbox provides an additional path to achieving high-quality color grading. Nowadays, log encoding is widely used for digital camera footage.
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Mathematical formulas for tonal ranges have been adopted to simulate the behaviour of telecine wheels when applied to logarithmically encoded data. This is where the name 'log wheels' comes from. Scanned digital film negatives stored on computers are represented in the form of optical densities, which are logarithmic values. This led to the development of a new solution: log wheels. The fundamental functionality of modifying colors in three distinct tonal ranges - shadows, mid-tones, and highlights - stopped working. However, when electronic color correction was introduced to the world of film grading and digital intermediate, telecine wheels applied to film scans no longer behaved as expected. With math that is simple to implement using electronic circuits and producing predictable results, they have consistently remained relevant. One of colorists' favourite tools from the early days of electronic color correction has always been color wheels, also known as telecine wheels.